Crit Presentation 21/10/11

Crit Presentation 21/10/11

Old, Long Forgotten (Terrible) Face/Head Studies

Remaining Thumbnail Sketches

Creative Partnership

Creative Partnership

Submission Disk

Final Painting

Revised Design Progress Update

Not a massive amount added since yesterday, but it is all starting to come together. Debating whether a moderately elaborate backdrop would be suitable, a bit concerned that it may just be a distraction or pull the figure back into the scenery. I started to add small elements of "disease", notably on the knee of the left leg, and the facial tendrils (although I may remove these). Also need to rectify those 'anime eyes' (or eye, in this case), as it is just annoying me, really.

In any case, feedback would be great. What should I add, take away or elaborate on? What about the backdrop?

Revised Design Progress

It's got a long way to go yet, but its definitely an improvement on the last draft I uploaded. This is a slightly more dynamic update on the previous design, but I still need to tweak bits and pieces of it, those will become apparent when I flesh it out a bit more over the next couple of days.

@Phil- Written Assignment So Far

I've decided to upload about two thirds of my written assignment simply so that you could let me know if I'm on the right track. Could you please have a quick look to see where I could make changes etc, as I'm a little worried its sounding a bit too much like a review. I have identified the relevance of isolation in each of the films, but still... I'm a bit lost.
Thank you!

            Introduction

            This essay discusses animal-to-human metamorphosis in film, with particular regard to the ways in which therianthropy is used to communicate and investigate the theme of social isolation. Films under discussion are John Cocteau’s La Belle et La Bete (1946), Kurt Neumann’s The Fly (1958), Sam Raimi’s Spiderman 3 (2007) and Mary Hannon’s American Psycho (2000).

Research sources include Sigmund Freud’s The Psychopathology of Everyday Life, being used to analyse the psychological effects of the transformation on everyday existence, Bret Easton Ellis’ American Psycho, as well as the 2000 film adaptation by Mary Hannon, acting as an example of a psychological transformation in society and the above films The Fly, La Belle et La Bete and Spiderman 3, for their themes regarding transformation on an emotional level.

            The discussion begins by comparing the symbolic use of metamorphosis in La Belle et La Bete and The Fly, before examining the associated idea of the Symbiote in the Spider-Man universe, reinforcing ideas surrounding social isolation found in American Psycho. In conclusion, the assignment will seek to address the psychological and emotional repercussions that come as a result of metamorphosis.

            Main Essay

Breaking the Films Down       

            The idea of ‘the outcast’ is a staple theme that appears to ride in tandem with themes of metamorphosis and transformation, being displayed liberally in films such as Jean Cocteau’s La Belle et La Bete (1946) and Kurt Neumann’s The Fly (1958).

            In La Belle et La Bete, the Beast is initially seen as a being a creature to be feared. This is brought on by not only his grotesque appearance, but also his stern, dismissive attitude towards those he would consider have wronged him.

            “You steal my roses. You steal my roses, the things I love most in all the world”

It could be argued that his isolation from the rest of society was not necessarily the result of his appearance, but more for his general distaste for the company of others, as demonstrated in the quote above. Conversely, his personality traits may be the result of a lack of social interaction, with isolation from society being known to be a catalyst for anxiety, stress, violence and depression (House, 2011).

            Throughout the film, The Beast gradually becomes less of a creature and more of a man in terms of personality, thanks to the interaction he has with Belle. This change would suggest that his personality was more likely to be the result of a form of depression, subsequently serving as a personification of the beast within all of us.

           

            In The Fly, Andre’s isolation is a result of his transformation, but unlike the Beast in La Belle et La Bete, it is his own choice. A choice he has made initially through the hope that one day he will be able to return to his normal, 100% pure human form. Eventually, the instinctive nature of the fly he has been spliced within begins to shine through, erasing whatever human elements remain within.

            Although Andre has deliberately isolated himself from the outside world, the effects of solitary confinement begin to take their toll. Andre becomes increasingly restless and impatient with Helene’s attempts to save him, when he simply wants to be able to leave his laboratory. Carly Frintner addresses this idea, saying,

“Prisoners who are isolated for prolonged periods of time have been known to experience “depression, despair, anxiety, rage, claustrophobia, hallucinations, problems with impulse control, and/or an impaired ability to think, concentrate, or remember.”” (Frintner, 2005)

            This frustration could be considered reminiscent of the nature of the fly, particularly the idea of a fly attempting to leave a room through a window. The fly struggles in futility to fly through, getting more and more restless.

            A modern example of therianthropy-induced isolation is the Symbiote from the Spider-Man universe. The Symbiote is a creature that takes an individual as a host and subsequently alters the host’s physical and emotional attributes. In the 2007 film, Spiderman 3, directed by Sam Raimi, the Symbiote initially provides the host with somewhat of a confidence boost. In this case, the host Peter Parker has an emotional metamorphosis, shifting his typical personality traits from shy and reclusive to wildly confident and outgoing. The Symbiote appears to amplify the supressed characteristics that the host would normally keep from displaying.

“This suit, where'd this come from? The power, feels good... But you lose yourself to it…”

           

These characteristics, at first, make the character more socially active, moving away from the isolation theme. Although, it is the repercussions of these actions which knock the host back to a state of social isolation. An example would be the scene where Peter Parker dances in a jazz club in order to impress Mary Jane and, in theory, win her back. Parker is at the peak of his confidence as he displays his talents to the various club-goers. His effects on the crowd are destroyed as, in the midst of a fight, he forcefully shoves Mary Jane away. All respect that he had momentarily established is blown away in an instant, dropping him back where he began.

           

            The idea of a psychological transformation is also present in the Bret Easton Ellis novel, American Psycho, as well as the 2000 film adaptation directed by Mary Hannon. In American Psycho, the character Patrick Bateman is a Wall Street executive moonlighting as a psychopath. Unlike the previously mentioned films, Bateman does not physically transform from a human into a beast, but psychologically he is as much of a beast as any other.

           

“I have all the characteristics of a human being: blood, flesh, skin, hair; but not a single, clear, identifiable emotion, except for greed and disgust.”

            In terms of social isolation, Bateman is forced into human interaction due to his career, meaning in order to indulge in his sadistic hobby, he must force isolation upon himself. This feeling of intended isolation is present throughout the film adaptation, particularly in Bateman’s apartment. Everything is stark, cold and clean, a personal prison, of sorts.

           

@Phil Revised Essay Introduction (Third Time Lucky!)

Hi Phil. I've updated my introduction using your last comment as a basis. Please tell me what you think and where I've gone wrong (and I just know I have somewhere, somehow! :))

                  This essay discusses animal-to-human metamorphosis in film, with particular regard to the ways in which therianthropy is used to communicate and investigate the theme of social isolation. Films under discussion are John Cocteau’s La Belle et La Bete (1946), Kurt Neumann’s The Fly (1958), and Sam Raimi’s Spiderman 3 (2007).

Research sources include Sigmund Freud’s The Psychopathology of Everyday Life, being used to analyse the psychological effects of the transformation on everyday existence, Brett Easton Ellis’ American Psycho, as well as the 2000 film adaptation by Mary Hannon, acting as an example of a psychological transformation in society and the above films The Fly, La Belle et La Bete and Spiderman 3, for their themes regarding transformation on an emotional level.

The discussion begins by comparing the symbolic use of metamorphosis in La Belle et La Bete and The Fly, before examining the associated idea of the Symbiote in the Spider-Man universe, reinforcing ideas surrounding social isolation found in American Psycho. In conclusion, the assignment will seek to address the psychological and emotional repercussions that come as a result of metamorphosis.

Bibliography

Films

La Belle et La Bete. (1946) Directed by Jean Cocteau, France: DisCina.

The Fly. (1958) Directed by Kurt Neumann, Los Angeles: Twentieth Century Fox Corporation.

Spider-Man 3. (2007) Directed by Sam Raimi, California: Columbia Pictures.

American Psycho. (2000) Directed by Mary Hannon, Canada: Edward R. Pressman Film Corporation.

Books

Freud, S. (1901) The Psychopathology of Everyday Life. [Online] http://library.isb.edu/digital_collection/Psychopathology_of_everyday_life.pdf: (Accessed on: 15/10/11)

Ellis, Brett Easton. (1991) American Psycho. London: Picador

Feet Studies

Black Swan Film Review

Black Swan (2010) Film Review

Design Update 13/10/2010

Added torso detail and refined small sections. Not a massive amount added from yesterday, but I wanted to update anyway.

Splice Film Review

Splice (2009) Film Review

@Phil: Revised Written Assignment Introduction

Shapeshifters Written Assignment

This essay will be investigating the conflictions and issues established in the aftermath of metamorphosis on an emotional level. Essentially, it will be looking further into themes of social isolation displayed in films such as La Belle et La Bete (1946) and The Fly (1958), as well as investigating how these themes have translated into modern day productions. In terms of a modern example, it will also be analyzing the idea of the Symbiote in the Spider-Man universe, more specifically, its effects on it’s host from and audience and supporting character perspective.

Bibliography

La Belle et La Bete. (1946) Directed by Jean Cocteau, France: DisCina.

The Fly. (1958) Directed by Kurt Neumann, Los Angeles: Twentieth Century Fox Corporation.

Sources to be Used

Films

La Belle et La Bete. (1946) Directed by Jean Cocteau, France: DisCina.

The Fly. (1958) Directed by Kurt Neumann, Los Angeles: Twentieth Century Fox Corporation.

Spider-Man 3. (2007) Directed by Sam Raimi, California: Columbia Pictures.

Books

Defalco, Tom. Stern, Roger (1984) The Amazing Spider-Man No. 252. New York: Marvel Worldwide, Inc.

A Little Design Update

This is the early stages of my final digital painting. The structure will be defined a bit more as I go along, and as you can see, the head and the feet aren't... well, there yet. But they will be! So far, I'm pretty happy with how it is developing, but there is always room for improvement. During the continued development, the shell will be incorporated (although I haven't decided just how, as of yet) and the pose will be adjusted slightly, just to make it a little more dynamic (although, as dull as it may be, I do quite like the basic stance).

I will be updating this as and when I add to it over the next few days.

The Elephant Man Film Review

The Elephant Man (1980) Film Review

Incorporating the Shell

These are a few simple ideas for incorporating the shell into my design, based on feedback from Phil on my OGR.

I began drafting up some ideas of how I could incorporate the shell into my design, taking influence mainly from the 'ball and chain' approach that Phil suggested (this is what I tend to do when the bus is stupidly late and I don't fancy talking to the shifty pensioners at the bus stop). Once I had established some rough ideas, I attempted to translate them into slightly more visually informative images in Photoshop.

This silhouette is meant to be demonstrating the idea of dragging the shell from one place to another without necessarily being attached to it, but thanks to the not-so-amazing proportions it looks more like Ted Dansen playing Swingball with a giant tennis racket. This idea got shelved pretty quickly.

This silhouette played with the idea of dragging the shell along, whilst being fused to it. The movement of my hybrid comes from a 'army man' style crawl, with all the weight being carried by the arms alone. Even though this idea is still rather 'Centaur'-like, I feel it could still work, as the human and the animal aren't being distinguished by two separate halves, one human, one animal. The head and torso are still mutated and disfigured to appear truly hybridised with the Nautilus, but the shell is a key element and I feel that in order to accurately depict the hybridisation, the shell must be represented in a similar, natural way as it is in the Nautilus itself.

This silhouette is an alternative to the design above, with the torso being further up the shell. The idea is that my hybrid lean forward, still dragging the shell using the arms alone, but supporting the weight with rudimentary ropes and binds. From a physical perspective, this method isn't particularly practical, but the more upright pose lends itself to be a more dynamic image overall. Please note that the side on view is simply for developmental purposes and that the final image is more than likely to be angled to depict both the front and side of the image, displaying both the detail of the torso and the grand nature of the shell.

The Company of Wolves Film Review

The Company of Wolves (1985) Film Review

Online Greenlight Review

Online Greenlight Review